This Wednesday, we met to discuss a controversial
play Fucking A (2000) by Suzan-Lori
Parks who decided to claim Nathaniel Hawthorne’s novel: “I’m going to write a
play, a riff on The Scarlet Letter,
and I’m going to call it Fucking A!
Ha, ha, ha!” * At
that time, Parks was joking, as she hadn’t read the novel. Nevertheless, this
idea was preying on her mind for a very long time and, finally, the play saw
the light of day.
Showing posts with label postmodernism. Show all posts
Showing posts with label postmodernism. Show all posts
Saturday, June 7, 2014
Monday, May 26, 2014
Suzan-Lori Parks (1963 - )
Suzan-Lori Parks, an African-American
playwright and screenwriter, was born on 10th May 1963 in Fort Knox,
Kentucky into a military family. As a child, she developed a taste for
folklore, mythology as well as wrote numerous short stories and songs.
Thursday, May 8, 2014
[07-05-2014] HOME
This Wednesday we met to discuss Home (2012) – Toni Morrison’s latest
novel or, rather, a longer novella since some of us complained that it was too
short. On barely 145 pages, the author includes
concisely such themes as race, masculinity, color(blindness), love, politics,
property, violence, dysfunctional family and history/memory. Although we were
all enchanted by the narrative and language, some critics find fault with our beloved (!) writer.
Friday, March 21, 2014
[2014-03-19] Cosmopolis
This Wednesday we met to discuss Cosmopolis (2003) – a novel by Don
DeLillo. Our discussion revolved around the following questions: how to approach
this piece of literature? What is the message for its reader? The novel undoubtedly
escapes any rigid classification.
Monday, March 3, 2014
Don DeLillo (1936 - )
Don DeLillo was born in 1936 and was raised in
a working class Italian Catholic family in New York City in the Bronx district.
As a teenager, he read such authors as William Faulkner, Ernest Hemingway and
James Joyce. DeLillo’s writing style was further shaped by jazz music (Miles
Davis, Coltrane) and cinema (Antonioni, Truffaut, Kubrick, Scorsese, Coppola
and Altman). He affirms: "European and Asian cinemas of the 1960s
shaped the way I think and feel about things. […] Perhaps, in an indirect way,
cinema allowed me to become a writer."
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